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Lelouch had made enough money from his classic "Un Homme et une Femme" to buy himself a Ferrari, which he proceeded to drive with "enthusiasm" in his native Paris. While shooting another film, he was using a new gyro-stabilised camera mount. Lelouch then came up with the idea for C'était un Rendezvous. The camera only had a ten minute film magazine -- explaining the mad dash to the steps of the Basilique du Sacre Couér in Montmatre. There were no special effects or speeding up of the film, Lelouch simply mounted the camera on the front of the car and shot it. No car chase on film has, or ever will, come close. The reality of no special effects, edits, or blocking off streets is terrifying.
Was it a Formula 1 driver in the iconic Ferrari 275 GTB? Was Claude Lelouch really arrested when the film was first shown?
Over the years, "C'était un Rendezvous" has come to represent something more than an adrenalin rush. It uniquely captures a time and a spirit that seems a long way away from today. Politically incorrect, anti-establishment and overflowing with a primitive passion - it is everything the bureaucrats hate. Which perhaps explains the cheers and whoops of delight at recent screenings. Lelouchs' brilliant ending only adds to this - making a beautiful sense out of the eight-minute drive. You can buy the film from Spirit Level Film or on eBay for about $30 USD.
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