| Jim
Montgomery |
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Jim Montgomery has been involved
with electroacoustic music since 1970 when he came to the University of Toronto
as a graduate student. There he studied composition with with Gustav Ciamaga
and John Weinzweig. |
| He is a founding member of the Canadian
Electronic Ensemble (CEE), the world's longest lived electroacoustic
group. |
| His works have represented Canada at
the International Rostrum of Composers, the Latin American Courses in
Contemporary Msic and the International Society for Contemporary Music. His
composiitons utilize many media, those for the stage displaying a defininte
socio-political activism, as in the series of works titled Didactic
Musics. |
| Mr. Montgomery has composed many
works combining acoustic and electroacoustic instruments and has developed
several new procedures for collective composition and structured improvisation.
The culmination of this series so far was the large work Megajam (1992)
which used twenty live-electronic performers. |
| Mr. Montgomery's interest in
computer music dates from his involvement with William Buxton's Structured
Sound Synthesis Project at the University of Toronto in the late 1970s and
early 1980s. Currently, he is at work in developing interractive works for
multiple computers. |
| In his parallel career as an arts
administrator, Jim Montgomery served as Managing Director of the Canadian
Electronic Ensemble from 1976 to 1983 and Administrative Director of
New Music Concerts from
1984 to 1987. Since 1987, he has been the Artistic Director of the
Music Gallery, Canada's leading new music concert
venue. |
| Jim Montgomery is a past president of the
Canadian League of Composers and has served as a
lecturer in the Faculty of Education of the University of Toronto (Elecrtonic
Media). He is an Associate of the
Canadian Music Centre and a member of the
Canadian Electroacoustic Community. |
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