 |
| non musica rex |
| NMRx0002 |
Tracks
| Stage |
|
Studio |
| Nihilist Party Lights |
|
Do It My Way |
| Duet |
|
Boing |
| United Nations |
|
Meateater |
| Going Too Far |
|
Unlikely |
| Poughkeepsie |
|
Mature Consideration |
| Why Try |
|
Stridor |
| Acrostics |
|
Helpless |
| Trio |
|
Road Kill |
| Victor |
|
Duet Again |
Review
Right when the Nihilist Spasm Band was beginning to repeat
itself, transforming into a caricature, the group released No Borders,
a fresh, stunning two-CD set with guest Joe McPhee. Disc one was recorded
live on October 27, 2000; disc two culls studio recordings from the day
before and after. Only four of the 18 tracks feature all seven musicians
playing at the same time. On the other ones, subgroups explore exciting
new directions. Vocalist Bill Exley and McPhee's "Duet" is a disquieting
drone piece. "Trio" puts together the booming bass of Hugh McIntyre, John
Clement's drum pounding, and the saxophonist's
free jazz train of thought. That last element is the source of a number
of surprises. McPhee can play abstract free improv, but here he often falls
back to instant head lines. On "Meateater," he develops a melody, something
unheard in the group's "repertoire." Exley screams to disrupt him, Art
Pratten bursts into a violin frenzy to drag him into flaming dialogues,
but McPhee insists. The resulting tug of war is a lot of fun and ends with
the jazzman screaming his lungs out. Other highlights include "Unlikely,"
a duet between Murray Favro and Pratten, "Boing," and "Going Too Far."
Exley brought in new texts, true to the group's nihilist ideas, which he
delivers in his usual declamatory style. The NSB's level of musicianship
has rarely been so high and McPhee, as unlikely as it may sound, turns
out to be a perfect partner, heartiliy contributing to the music while
motivating the other players to give their best. The only negative point
is the fact that Exley's voice was recorded with an awful microphone during
the live session. Still, No Borders comes strongly recommended to both
fans and newcomers. -- François Couture (from www.allmusic.com)