Aug 1
Have you heard the theory of Global Dimming?
Basically, all the particulate matter that we
pollute the air with has caused a decrease in
the amount of sunshine that reaches the earth.
Here's the kicker, they figure this dimming is
actually helping to offset the effects of global
warming.
That's right, if it
wasn't for global dimming, global warming would
be worse. Ironically, now that we've passed more
and more laws to limit the amount of particulate
matter we spew into the air, thereby decreasing
the effects of global dimming, we're more likely
to feel the full effects of global warming.
It's almost as if the
universe were designed by Abbot and Costello,
which in itself is a convincing argument for
Intelligent Design if you ask me.
2 Aug
So this is the way the Canadian Forces
works:
Warning Order! This is a warning
order. Prepare to jump.
But I'm getting married!
Cancel that, this takes top
priority.
My wife is in labour.
Sorry, this is imperative. Prepare
to jump.
Okay. Ready......Um...should I jump
now.
Not yet.
Now?
Nope.
Now?
Wait for it....
*three weeks later*
How about now?
Hmmm....we've decided that jumping
might not be the best solution. We're
considering skipping. More to follow.
Should I skip now?
Nope.
Now?
Uh-uh.
How about.....now!
Actually, we might go back to
jumping. How's the new kid, btw.
Great. He starts kindergarten
tomorrow....How about now?
Hmmm...apparently Operation Jump
and/or Skip has been called off. As
you were.
Oh, and astrology has
answered the question as to why my
career sucks, and I quote:
The ruler of your House of Career,
Uranus....
3 Aug
So I just found out that the
Radar Systems Theory module
I've been tasked to create,
and that I've been working
on since January, probably
isn't required. Apparently
the Radar Trainer that we
purchased and is due to be
delivered soon, comes with a
complete training package
including theory and
practical exercises--in
English and French. And
they've known about this
since before Christmas.
I can just see my
evaluation this year:
"Master Corporal Perry was
redundant this past
reporting period. He worked
very hard, utilizing his
vast technical expertise, an
exceptional talent for
communicating complex ideas,
superb organizational
skills, and impressive
leadership abilities to
accomplish absolutely
nothing."
I'd better be careful,
because if I keep this up
they'll have no choice but
to make me an officer.
Oh, yeah. I have the
bestess friends in the
world. Just saying.
4 Aug
A Public Service
Announcement
A lot of my friends here on
lj are brilliant writers
(meaning published) and are
kind enough to give back to
the writing community by
posting their thoughts and
hard earned knowledge on the
writing craft. The problem
is, most of theses folks
have B.A.s or M.A.s in
English, or worse yet,
Physics and stuff. Half the
time I can't make heads or
tales of what wisdom they're
trying to impart. That's why
I've decided to post my own
little primer. Think of it
as Writing for The
Mentally Challenged
High School Drop Out
Common Man (or
Woman--or...um...Other.
*Tries hard not to become
the next Mel Gibson). So,
everyday (except holidays,
weekends, and days where I
have something better to do)
I'll post a little bit here
about the writing craft.
Today, we'll start with
Plot.
Plot: What's It All
About, Anyway?
Plot is what happens
when (not to be confused
with setting), and why
(not to be confused with
motivation). Generally, the
plot starts with a
beginning, and moves through
the middle to the end.
Except for when it starts
with the end, and then jumps
back to the beginning and
then to the middle (which is
now really the end) or,
worse yet, starts in the
middle, and then jumps back
to the beginning (which is
now really the middle) and
then to the end. Confusing,
eh? No wonder you don't
understand it when it's
written in Eggheadese. (Eggheadian?)
The important thing is to
make sure that all of the
plot points (itty bitty bits
of the plot) all make sense.
Now, they don't have to make
sense individually, but when
they're all thrown into the
plot mix, they'd better make
sense as a whole, or we end
up with what the brainiacs
call "suspension of belief."
Normally, as long as your
plot points follow in a
logical order, and don't
contradict previous or
latter plot points, overall
your plot should be
okay--assuming that your
plot is at all interesting
to begin with. (See:
Originality--coming in a
later post.)
And that's basically it.
Stuff happens, it should
happen for a reason, in a
logical order, and it should
make sense. (And be
original, or a new take on
original, or at least
different just like all the
other ones.)
8 Aug
As (loosely) promised,
here's part two of my little
writing primer:
Characters--Who are these
people, anyway?
Characters are the folks
that inhabit your stories,
but it's their
characteristics that make
them real. In the vein of
write what you know, most
beginning authors base their
characters on themselves.
The main character is
usually a more attractive,
witty, successful version of
the author. They definitely
get laid more.
You can probably get away
with this for a book or two,
but eventually the readers
will notice that all your
characters seem the same.
(Unless you're Sybil, then
carry on.) As a friend
recently told me, not every
character can be a leggy
blue-eyed blond with D cups.
(No, really, they can't. I
checked.)
This is where it comes in
handy to have friends. (See
follow up article on "How to
Make Friends", and I don't
mean from scratch, either.)
The quirkier your friends
are, the better. Nothing
makes a character come to
life more than some oddball
trait--you know, maybe a
"this end up" tattoo on
their forehead, or the fact
that they have a used
post-it note collection.
The trick is to make your
characters real enough that
the reader will care what
happens to them--whether you
love them or hate them is
irrelevant. Wanting the
heroine to end up with the
hero, or in a wood-chipper
still means you care.
9 Aug: Setting: No matter where you
go, there you are.
Setting is a description of
where your story takes
place, and maybe when...and
sometimes why. And how.
Sometimes.
A common mistake most new
writers make is the "white
room syndrome" which is
basically lots of dialogue,
or action, but no
description of the
surroundings. This is
generally frowned upon
(unless you're writing
"literature"--then anything
goes) as it leaves the
reader with an impression of
the characters in limbo. (Of
course, if you're characters
really are in limbo, or a
white room, then have at
it.) But setting just isn't
the stuff you can see. It
can also be the stuff you
smell, or hear. (When I
think of a white room, I
automatically smell latex
paint--but maybe that's just
me.)
Someone once said that on
any given page you should
give a description using all
five senses. Six if you're
writing fantasy or sci-fi,
and maybe horror. (Again,
literature can get away with
anything.) Even a time
period can be construed (my
fancy writer word for the
day) as setting. If you
mention that it's the year
1621, I'm not as likely to
picture a Boeing 747 in the
skyline while your
characters are duelling.
(Well, okay--I might,
but most wouldn't.) Another
reason why, I suppose, it's
important to research your
setting, because, hey, not
all readers are as dumb
gullible ready to
suspend belief as I am.
10 Aug: The Truth as I See It
There is nothing wrong with
thinking that you're
special. Hell, everyone
should think they're
special--as long as they
keep it to themselves. If
you run around telling
everyone how special you are
you just come off sounding
arrogant and conceited.
Making yourself seem special
by pointing out why everyone
else isn't doesn't
say much for your character
either.
It's infinitely more
gratifying when other people
tell you how special you
are, and even more so if
those people run around
telling everyone else.
Let's face it; telling
people you're special is
like telling them you're
good in bed. It's really a
matter of opinion, and your
own doesn't count.
11 Aug
All right people, my wife is
going away for the weekend
(spa and casino--the evil
troll) so it's up you people
to entertain me. Let the
games begin!
Now.
Now?
How about now?
*Taps foot impatiently. Checks
watch.*
12 Aug
So I was at the water park
today, sitting in a lounge
chair by the wave pool and
eating an order of french
fries and gravy, when this
seagull dive-bombs me. I
actually had to duck to
avoid impact. Anyway, I
recover, and realize that
seagull was nothing but a
distraction.
I look up and there's
three seagulls lined up
between the wave pool and
me. There's four more to my
left, cutting off that
avenue of escape, and
another three on my right
flank.
That's right, a perfect
ambush.
They've meticulously set
out their trap: the left
flank has taken advantage of
the supporting terrain (a
pile of inner tubes and
another row of lounge
chairs), I can't go back and
risk the innocent civilian
lives behind me, and of
course attacking up the
middle would allow both
flanks to surround me, so
that's out. My only hope is
to hit the weaker right
flank.
Obviously they know what
I'm thinking, because their
leader (or the most
expendable)--this really
pudgy little
seagull--waddles forward,
cocks his head, and peers at
me out of his left eye. I
figure he recognizes another
warrior when he sees one,
because he caws, obviously
offering terms of surrender,
hoping to avoid unnecessary
bloodshed.
Instead, I reason with
him. I say, "Look, Pal, if
you ask me you're already
pushing maximum density. A
couple more fries and you'll
be too fat too fly, and then
that scrawny looking fellow
over there will oust you and
rule the roost."
He considers my proposal,
bobs his head a couple of
times, caws, and then flies
off, taking his squadron
with him, and leaving my
fries and me in peace.
I'd like to see Tarzan
do that.
*And no, I'm not suffering
from sun stroke.*
14 Aug: This is the Really Real World
Just how real is too real
when it comes to writing.
There's a great line in
David Gemmel's novel
Troy: Lord of the Silver Bow,
where Odysseus is
entertaining his men down on
the beach and says, "Would
you like to hear a true
story," and someone from the
crowd calls out, "No, we'd
rather hear one of yours."
It reminded me of when I
was sitting in the theatre
the other day watching Miami
Vice, and there's this huge
gun battle, and I heard one
guy say to his buddy, "How
cheesy. I mean, the guns all
sound like popguns. You'd
think they could afford to
make 'em sound like real
guns."
Huh? Have you ever heard
real live fire? They do
sound like popguns--even the
badass machine guns. The
movies usually hire some
Foley artist to replace the
actual crack of a 9mm pistol
with the sound of a howitzer
or something.
And of course the same
thing happens in books. We
learn information in one
book, and successive writers
carry that information on,
regardless of how inaccurate
it might be, until
eventually it becomes
accepted knowledge. God
forbid some writer should
actually try to correct this
assumption, or they'll be
dog piled with feedback
berating them for not doing
their research.
So, the question is: Do you
write what you know to be
true, or do you write what
people accept as
true? Does it matter?
Nuts!!
The agent who had the
complete
manuscript for
Darkside just
rejected it. I
really thought
this one got it,
but alas, no.
Another agent
still has the
partial, but I'm
not all that
hopeful.
And I've pretty much run
out of agents to
send it to.
The end.
15 Aug: The Smartest Sheppard in the
Whole Goat Herd
While we're on the topic of
reality, or accuracy, I'd
like to bitch
complain talk about
characters.
Don't you find it odd
that every foot soldier,
barbarian, farmer's son, and
blacksmith's apprentice can
sit around the camp fire
with his buddies and discuss
politics, theology, and
sociology as if they all had
multiple degrees from
Harvard? Or have an almost
mystical understanding of
warfare and tactics, having
studied Sun Tzu, Alexander,
Musashi, Julius Caesar,
and...um...Pinky and the
Brain?
Let's face it, most of
these yokels in the really
real world wouldn't even
know how to read. They'd be
more apt to sit around the
fire talking about the best
whore they ever had, or
which one of them had the
smelliest farts. Or at the
very least, if they were
inclined to discuss war or
politics it would be more
along the lines of:
"My religion's better than
yours because we get 52
virgins when we die."
"Oh, yeah? What's so great
about 52 dead virgins, you
sick bastard."
Or
"I hear Queen Lysandra had
half her palace guard
executed."
"Yeah, she's one tough
bitch....I'd do her."
So, okay, it doesn't make
for compelling reading, and
maybe I've gone a tad
overboard, but there has to
be a happy middle ground
somewhere.
16 Aug
I don't know if Mel Gibson
is an anti-semite or not.
I've never met the man. But
the idea that he is because
of what he said while drunk
is ridiculous. Alcohol is
not a truth serum. If it is
we've been wasting our time
with sodium pentothal, and
physical and mental torture.
All we had to do was liquor
'em up. I mean, if alcohol
really puts you in touch
with your true feelings,
then apparently there's a
whole whack of guys I barely
know who "really love me,
man, because I'm their best
friend in the whole world.
*hick*"
17 Aug
So the Chief came storming
in this morning to give some
guy shit because when he got
off his bicycle he took off
his helmet and didn't bother
to put on his beret to walk
the three steps (honestly)
to the door. To make matters
worse, we work on a flight
line. You are not required
to wear headdress on a
flight line. Keeping in mind
the ridiculous social
structure that would even
make it possible for someone
to yell at and
demean a 48 year old man
in front of his peers for
not wearing his hat, what
should his response have
been when the Chief stormed
in and said, "Do you know
why I'm here?"
1.
I have absolutely no idea.
2.
Hell, Chief, I don't even
know why I'm here.
3. Why, don't you?
4. I ask myself that
question every day.
5. I haven't even
read my job
description yet, what
makes you think I've read
yours?
6. I don't know. You
certainly weren't invited.
7. To sexually
harass me. Again.
8. To grovel at my
feet and beg my
forgiveness?
Oh,
yeah: Happy Birthday
raecarson!!!
and:
Sartorias
asked the
question: So when
you were small,
what special thing
was it you wanted?
I really wanted to be a
super hero. I
heard that the
stuff that made
the numbers on
your watch glow
was radioactive,
so I caught a
spider and put it
in a jar with my
dad's watch hoping
it would become
radioactive and
bite me. But then
I thought, "What
if the radiation
just turned it
into a giant
spider, and it ate
me?" So I killed
the spider, and
traded my dad's
watch for a
Daredevil comic
book. (I think I
was about eight at
the time.)
18 Aug: World Building, or Location
Location Location
Creating a plausible world
for your characters to do
implausible things in is
important when writing
speculative fiction. If your
world is plausible, people
will buy implausible
characters; conversely if
your world is implausible,
you characters generally
have to be plausible. If
your world and characters
are implausible readers have
a problem with suspension of
belief and your readers will
stop reading. If your world
and characters are
plausible, you
have...um...The Bridges of
Madison County--and your
readers will stop reading.
One way to create a
plausible world is to base
it on an culture that
already exists, but that
most people aren't all that
familiar with,
like....say....Canada. You
can use all their whacky
customs (like being polite)
and strange cuisine (Poutine?)
to bring substance and a
sense of the exotic to your
make-believe world. Not only
that, but when readers gripe
about how implausible your
world is, you can defend it
by revealing the culture
that you based it on. (What
do you mean no world would
have winter 24-7 where all
the people live in igloos,
ride around on moose, and
speak two totally different
languages? Have you been to
Canada lately?)
28 Aug
So I'm back from vacation.
Apparently you folks in
Michigan have a problem with
running over your road
construction workers,
because there's a sign about
every five feet warning you
of the penalties for doing
just that. And there seems
to be a "Correctional
Institution" roughly about
every hundred miles, about
the same distance apart as
your rest stops. Just a
thought, but maybe you could
save a buck or two if you
combined them. Fun for the
whole family, no doubt.
The Grande Hotel on
Mackinac Island is just
that; Grande. It's like
stepping back into the early
nineteen hundreds. The only
way to get to the island is
by taking one of these
really speedy ferryboats.
(Apparently there's also an
airfield if you're filthy
stinking rich.) There's no
cars allowed on the island,
and everyone travels by
horse and buggy, or horse
drawn trolleys, or horse
drawn coaches, or
horse....well, you get the
picture. So while there's
very little air pollution,
the city still has a
distinctly horsey aroma. You
can also rent bicycles,
which are generally faster,
and smell better, but a 21
speed mountain bike just
doesn't fit with the time
period, if you ask me.
Most of the waiters at
the Grande Hotel are
Jamaican, the shop girls are
Ukrainian, and the horse
handlers Texan. The accents
make for one freaky sounding
discussion if you're
inclined to sit around and
listen to the staff chat
(which I am, usually while
lounging around by the
pool). Still the Russian
accents tended to freak me
out; every time the girl
that checked us in conversed
with one of her coworkers
for clarification, I
couldn't help but wonder if
they were "plotting big
trouble for moose and
squirrel."
You have to dress for
dinner at the Grande--as a
matter of fact you have to
dress anytime after 6
PM--coat and tie for men,
and something respectable
for the women. There's a
quartet playing during
dinner, and you can get up
and dance any time during
the meal (preferably while
the musicians are still
playing). After dinner
there's a harpist playing in
the lounge, and at night
there's a big band playing
swing, jive and jazz and
stuff in the ballroom.
And you have to love a
town where every other shop
is a homemade fudge shop.
The second part of our
vacation was spent at the
Michigan Renaissance
Festival. It's only about
four times larger than the
one we used to have
just outside of Toronto.
There's a lot more people in
costume, too. (I'm assuming
it's costume: this is
Michigan, after all.) We
spent a couple of hours just
wandering around the shops,
then a few more listening to
the bards and minstrels and
musicians and such. And of
course we ate the typical
Faire fair--big honking
turkey legs, and fudge.
(It's medieval fudge, so it
counts, honest.)
Later we went to some
huge shopping city
mall, and shopped. And since
I didn't win the stupid
poopy head lottery, I'm back
at work today.
30 Aug
There are no characters
living in my head. Sure, I
have character sketches for
protagonists and antagonists
for three or four books I'd
like to write, a couple of
which I've already started,
but there's not one
character insisting on
telling me his story.
Unfortunately, that's
paramount to the way I
write. My stories don't come
alive for me until my
characters do, and right now
they're just Disney
Animitrons.
Stupid characters.
Or maybe I'm just feeling
apathetic again. It takes
work to hook the wires up to
the bolts in my characters
neck, and then there's all
the bother of pulling the
cables to raise his platform
up to where the lightning
will strike. And we haven't
had a good thunderstorm in
ages. Why go to all the
bother, if he'll never
get published only stomp
around and scare the
villagers anyway?
Maybe I'm the one that
needs to be hit by
lightning. (Again.)
*All right, who's using
the internet same time as
me, cause my connection just
slowed down something fierce?*
31 Aug
Instructions:
I would like everyone who
reads this to ask me 3
questions: no more, no less.
Ask me anything you want.
ANYTHING!Doesn't mean I'll
answer them in the way you
expect.
Then go to your journal,
copy and paste this,
allowing your friends
(including me) to ask you
anything.
Let slip the dogs
of...um...curiousity!
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